Gold Gilded Green Tara Statue | 9.25″ Fire Gilded | Authentic Nepal

This elegant Gold Gilded Green Tara statue portrays Khadiravani Tara, the swift embodiment of enlightened compassion in Tibetan Buddhism. Handmade in Patan, Nepal, the 9.25-inch statue was cast from copper alloy using the traditional lost-wax method and fire gilded in 24K gold. Its rich, low-luster finish gives the sculpture a warm devotional presence while allowing the graceful body, sacred hand gestures, paired utpala lotuses, celestial ribbons and double lotus pedestal to remain clearly defined.

Green Tara sits in lalitasana, the posture of royal ease, with her left leg folded upon the throne and her right leg extended. This distinctive posture communicates her constant readiness to rise and assist sentient beings whenever suffering or danger appears. Her lowered right hand displays Varada mudra, the gesture of generosity and the granting of blessings, while her raised left hand delicately holds an utpala stem beside her heart.

The statue is finished with predominantly smooth gilded surfaces rather than dense garment engraving. This restrained treatment draws attention to Tara’s refined proportions, gently modeled torso, serene expression and flowing posture. Her black-painted hair is arranged in a tall topknot adorned with gilded hair ornaments, while dark strands fall over both shoulders and frame the hand-painted face. Layered necklaces, armlets, bracelets, anklets and waist jewelry complete her celestial adornment.

Measuring approximately 9.25 inches high, 6.5 inches wide and 4.5 inches deep, this Gold Gilded Green Tara statue is ideally proportioned for a personal shrine, meditation room or collection of Himalayan Buddhist art. It was created by the same master artisan as the matching Nepali White Tara statue, allowing the two closely related sculptures to form a visually balanced and doctrinally meaningful Tara set.

Gold Gilded Green Tara Statue of Khadiravani Tara

Khadiravani Tara is one of the most widely revered forms of Green Tara. Her name is associated with the sacred khadira, or acacia, forest, where she is said to have appeared to accomplished practitioners. The title emphasizes Tara’s compassionate presence within the world rather than apart from it. She enters directly into the difficulties of sentient beings and responds with wisdom, courage and immediate enlightened activity.

Known in Tibetan as Jetsun Dolma, Green Tara is regarded as a fully enlightened female Buddha. Her youthful appearance symbolizes the freshness and immediacy of awakened compassion, while her extended leg shows that she remains perpetually prepared to act. She is often invoked when practitioners face fear, danger, uncertainty or obstacles that prevent spiritual progress.

The sacred mantra of Green Tara is Om Tare Tuttare Ture Svaha. It is recited to cultivate courage, remove obstacles and strengthen a practitioner’s connection with Tara’s compassionate activity. Learn more about the Green Tara mantra and meditation practice.

Posture of the Gold Gilded Green Tara Statue

Green Tara is seated in lalitasana, also called the posture of royal ease. Her left leg remains folded upon the lotus throne in meditative stability, while her right leg extends downward and forward. This open posture distinguishes her from deities shown in a completely closed meditation pose.

The folded leg represents wisdom, concentration and inward realization. The extended leg expresses compassionate readiness and Tara’s willingness to enter the world whenever beings require assistance. Her posture therefore unites contemplative stillness with immediate enlightened action.

The arrangement also gives the sculpture an elegant visual rhythm. Tara’s torso remains upright and centered, while the extended leg and lowered hand draw the composition outward. The raised left hand, lotus flowers and sweeping ribbons restore balance around the peaceful central figure.

Varada Mudra and Tara’s Raised Hand

Tara’s right hand extends over her knee with the palm open in Varada mudra. This gesture represents generosity, compassion and the granting of spiritual blessings. The open hand faces toward the devotee, communicating Tara’s willingness to offer protection and assistance without hesitation.

Her raised left hand is held near the heart, with the thumb and forefinger gently supporting an utpala stem. The gesture resembles Vitarka mudra and is traditionally associated with teaching, transmission and enlightened understanding. Its position close to Tara’s heart shows that her activity arises from wisdom and immeasurable compassion.

Together, the hands express the complete relationship between contemplation and action. The raised hand represents enlightened insight, while the lowered hand extends that realization outward as generosity, protection and practical benefit.

Utpala Lotuses of the Gold Gilded Green Tara Statue

Two utpala lotus stems curve around Tara’s arms and rise behind her shoulders. Their openwork construction creates a graceful framework around the upper body without obscuring the smooth contours of the torso and hands. The stems flow naturally through the composition, visually connecting Tara’s gestures with the blossoms above.

The flower beside Tara’s right shoulder appears more open and developed, while the blossom beside her left shoulder remains more compact. The paired flowers may be understood as different stages in the unfolding of spiritual realization. The more developed lotus represents awakened wisdom coming into expression, while the less-open flower symbolizes the potential for enlightenment that remains present within every sentient being.

The lotus is a central Buddhist symbol because it grows from muddy water yet opens unstained above the surface. It represents wisdom and compassion arising within samsara without being corrupted by ignorance or attachment. Tara does not remain removed from suffering; she enters difficult circumstances while remaining completely free.

The utpala is especially associated with Tara and enlightened feminine wisdom. Its placement beside both shoulders reinforces the inseparable relationship between meditative insight and compassionate action. Learn more about Green Tara’s posture, lotus flowers and traditional iconography.

Ornamental Topknot and Celestial Jewelry

Tara’s black-painted hair is arranged in a tall rounded topknot decorated with finely modeled gilded ornaments. Smaller ornamental fittings surround the upper hair arrangement, while a larger gilded finial rises at the summit. Dark hair strands descend over both shoulders and frame the face.

The contrast between the black hair and the 24K fire-gilded body gives strong definition to Tara’s head and upper torso. The gilded hair ornaments catch the light, while the dark strands direct attention toward the serene face and gently lowered gaze.

Layered necklaces decorate the chest, and additional jewelry appears at the upper arms, wrists, ankles and waist. These ornaments symbolize the abundance of enlightened qualities rather than ordinary material wealth. Their beaded and pendant-like forms add texture to the otherwise smooth surface treatment of the statue.

At the buyer’s request, the hair ornaments and jewelry may be embellished with genuine turquoise and red coral before shipping. Turquoise introduces a vivid blue-green accent against the gold, while red coral adds warmth to the selected ornaments. The stones may be placed selectively to preserve the statue’s balanced traditional appearance.

Hand-Painted Face and Compassionate Expression

The face of this Gold Gilded Green Tara statue is separately hand painted with 18K gold and natural pigments. Fine painted lines define the eyebrows, eyes and lips, while the black hair creates a strong frame around Tara’s peaceful expression.

Her gaze is gently lowered, suggesting compassionate attention directed toward practitioners while remaining grounded in meditative wisdom. The subtly painted lips and carefully outlined eyes give the face warmth and vitality without disturbing its contemplative character.

The facial finish is distinct from the fire gilding applied to the body. The copper-alloy statue is fire gilded in 24K gold, while the face receives a separate traditional finish using 18K gold and natural pigments. Learn more about 24K fire gilding and real-gold face painting in our Buddha Statue Buyer’s Guide.

Celestial Ribbons and Graceful Movement

Long celestial ribbons sweep outward beside Tara’s body and introduce movement into the seated composition. Their curling ends extend beside the folded and outstretched legs, balancing the otherwise stable structure of the throne and central figure.

A broad curved scarf passes behind Tara’s upper body and visually connects the lotus stems. The reverse photograph shows darker reddish pigment across portions of this scarf and the flaring ribbon ends, providing contrast against the gilded body and black hair.

These flowing ornaments reinforce the active quality of Green Tara. Although her expression remains calm, the ribbons suggest compassionate energy moving outward continuously. Their fully modeled construction also gives the sculpture considerable depth when viewed from the side or reverse.

Smooth Robes and Refined Gilded Surfaces

This statue emphasizes broad, smooth surfaces across Tara’s torso, folded legs and garments. Rather than covering the robes with dense engraving, the artisan used restrained borders and carefully modeled folds to preserve the purity of the sculptural form.

The minimal ornamentation allows the low-luster gold finish to remain prominent. Light moves softly across the shoulders, waist and legs, revealing Tara’s graceful proportions without distraction. The lotus stems, hair ornaments, jewelry, ribbons and pedestal provide the principal decorative detail.

The reverse is similarly refined. A diagonal sash crosses the back, while beaded necklaces and arm ornaments continue around the figure. The smooth back and garments display the quality of the gilding across broad uninterrupted areas.

Double Lotus Throne of the Gold Gilded Green Tara Statue

The substantial double lotus throne is one of the most prominent features of this sculpture. Two complete rows of individually modeled petals encircle the pedestal and create a layered foundation beneath Tara’s seated posture.

The upper row consists of smaller rounded petals positioned directly beneath the seating platform. Their repeated forms create an even rhythm around the front, sides and reverse. Beneath them is a broader row of elongated downward-facing petals that projects outward and gives the base greater depth.

Beaded borders separate the two lotus courses from the upper platform and lower architectural pedestal. The raised centers of the petals catch the light, while the recessed outlines remain more deeply shadowed. This tonal variation helps each sculpted petal remain distinct within the uniform gold finish.

The lotus represents purity and awakening. Although it emerges from muddy water, its blossom remains unstained. Tara’s position above two complete rows of petals symbolizes enlightened compassion arising beyond the obscurations of samsara while remaining active within the world.

Engraved Architectural Pedestal

Beneath the double lotus throne is a broad rounded pedestal framed by smooth mouldings. A shallow engraved band of scrolling foliate designs extends around the lowest visible tier, adding refined ornament beneath the larger sculpted petals.

The delicate engraving catches reflected light without competing with the lotus throne above. It creates an elegant finishing border and visually anchors the statue beneath the outward movement of Tara’s ribbons and extended leg.

The rear photograph confirms that the engraved band, lotus petals and beaded borders continue around the full circumference. This complete treatment allows the statue to be placed upon a freestanding altar and appreciated from several viewing angles.

Low-Luster 24K Fire-Gilded Finish

The copper-alloy body, ornaments and pedestal are fire gilded in 24K gold using traditional Himalayan techniques. The finish is rich and luminous without appearing highly polished. Its low-luster surface softens reflected light and gives the sculpture the dignified character of an image intended for devotional shrine use.

Subtle variations across the gilded surface reveal the handmade process. Raised details such as the hair ornaments, jewelry and lotus petals catch the light more strongly, while recessed spaces around the flowers, hands and ribbons remain deeper in tone.

The smooth garments and broad body surfaces allow the warmth of the gold to remain especially visible. Small variations in color and texture are characteristic of traditional fire gilding and distinguish the statue from mechanically plated reproductions.

Finished from the Front and Reverse

The rear view reveals the complete three-dimensional workmanship of the sculpture. Tara’s shoulders, back and waist are smoothly modeled, with a diagonal sash crossing the upper body and beaded ornaments continuing behind the neck and upper arms.

Her black-painted hair remains clearly defined from behind, including the rounded topknot, gilded ornamental fittings and finial. The lotus blossoms, curved stems and celestial ribbons retain their depth and sculptural form when viewed from the reverse.

The folded and extended legs are smoothly finished across the back, while the two rows of lotus petals and engraved lower pedestal continue around the complete base. This attention to the reverse makes the sculpture suitable for freestanding shrine placement and reflects the high standard of traditional Newar metalwork.

Traditional Lost-Wax Casting in Patan, Nepal

This Gold Gilded Green Tara statue was handmade by Newar artisans in Patan, Nepal, through the traditional lost-wax casting process. The work begins with a detailed wax model prepared according to established Buddhist iconometric proportions. The artisan forms Tara’s face, posture, hands, hair ornaments, jewelry, lotus stems, ribbons and double lotus pedestal before preparing the image for casting.

The wax model is enclosed within a heat-resistant mould and fired so that the wax melts away, leaving a cavity in its form. Molten copper alloy is poured into the mould and allowed to cool. Once the mould is removed, the raw casting is chased, filed and refined by hand.

The artisan sharpens the fingers, facial features, ornamental fittings and openwork lotus stems before refining the individual pedestal petals and engraved lower border. The completed copper-alloy statue is then prepared for traditional 24K fire gilding.

Black pigment is applied to the hair and selected ribbon surfaces, while the face is separately hand painted with 18K gold and natural pigments. Because the original wax model is destroyed during casting and the chasing and finishing are completed individually, each statue retains subtle handmade variations.

Green Tara and the Eight Great Fears

Green Tara is traditionally invoked for protection from the Eight Great Fears. These may refer to external dangers, but Tibetan Buddhist teachings also interpret them as symbols of inner afflictions that obstruct spiritual progress.

Lions represent pride, elephants symbolize ignorance, fire corresponds to anger, snakes represent jealousy, thieves signify harmful views, imprisonment reflects attachment, floods represent uncontrolled desire and harmful spirits symbolize doubt.

Tara’s protection therefore extends beyond rescue from immediate danger. Her practice helps devotees recognize and transform the mental habits that repeatedly create fear and suffering. The extended leg symbolizes readiness, the open hand offers generosity and the raised hand communicates confidence grounded in wisdom.

Explore the traditional symbolism of the Eight Great Fears associated with Green Tara.

Matching Gold Gilded Green Tara Statue and White Tara Set

This Gold Gilded Green Tara statue would form a harmonious two-piece shrine set with the matching Nepali White Tara statue. Both sculptures were created by the same master artisan and share closely coordinated proportions, copper-alloy construction and rich low-luster 24K fire-gilded finishes.

The 9.25-inch Green Tara and 9.5-inch White Tara are sufficiently close in height to appear as an intentionally designed pair. Both statues feature double lotus thrones with two rows of sculpted petals, black-painted topknots with gilded hair ornaments, openwork lotus stems, celestial ribbons, smooth garments and engraved lower pedestal bands.

Their shared design creates visual unity, while their distinct postures express complementary dimensions of enlightened compassion. Green Tara sits in lalitasana with one leg extended, showing her readiness to act immediately. White Tara remains seated in full lotus posture, expressing healing, longevity and meditative stability.

Green Tara embodies swift compassionate action. She responds to fear, danger and spiritual obstacles without delay, removing conditions that prevent beings from progressing along the Dharma path. White Tara embodies compassion that heals, restores and sustains life over time.

Together, the deities represent compassion in both immediate and enduring forms. Green Tara removes urgent obstacles and offers protection when difficulty arises. White Tara restores health, increases longevity and preserves the favorable conditions needed for continued spiritual practice. Their complementary symbolism makes the pair especially appropriate for a home altar, meditation room or Dharma center.

Custom-Made Gold Gilded Green Tara Statues

A custom-made Green Tara statue may be commissioned in a preferred height, finish and degree of ornamentation. Available options include smaller personal shrine images, larger temple-scale statues, dark antiquated oxidized copper finishes, silver-highlighted surfaces and sculptures fire gilded in 24K gold.

For a gilded commission, the face may be separately hand painted with 18K gold and natural pigments, while the hair can be completed in traditional black pigment. The ornamental topknot fittings, necklaces, armlets, bracelets and waist jewelry may also be embellished with genuine turquoise and red coral.

The double lotus pedestal may be adapted with larger petals, deeper carving, engraved foliate borders or different architectural proportions. Customers may request broad smooth robes similar to this statue or more extensive hand engraving across the garments and pedestal.

Custom Khadiravani Tara statues can be created for private collectors, home shrines, Buddhist temples, Dharma centers and monasteries. Traditional iconographic features—including lalitasana, Varada mudra, the raised teaching hand, paired utpala lotuses, celestial ribbons and ornamental topknot—are preserved throughout the design process.

A coordinated two-piece Tara set may also be commissioned with Green Tara and the matching Nepali White Tara statue. Their heights, gilded finishes, hair ornaments, lotus stems, celestial ribbons and double lotus pedestals can be planned together so that the completed images form a unified shrine ensemble.

Such a pairing unites Green Tara’s swift removal of danger with White Tara’s healing and life-sustaining activity. Green Tara represents compassion acting immediately when suffering arises, while White Tara preserves the life, merit and wisdom needed for continued Dharma practice. Together they create a visually balanced and doctrinally meaningful expression of Tara’s enlightened activity.